Apologies

The Winnipeg Free Press has been reporting this week on a "ground-breaking" event that happened today in Halifax, at the third of seven national Truth and Reconciliation Commission events: University of Manitoba President David Barnard apologized for his university's role in educating perpetrators of the abuse aboriginal children, families and communities suffered under the Indian Residential School System.

Photo and caption from the
University of Manitoba website

Barnard's full statement is published on the university's website, here.


The apology follows others from churches and governments, including an apology on behalf of the federal government from Prime Minister Stephen Harper; but this is the first time a university has stood up and apologized for the indirect role it played. As it is explained in a story in this morning's National Post, "The university itself was not a perpetrator of the tragedy, and its mea culpa stems from having educated the clergy, teachers, and politicians who perpetuated the system."


An apology, or an attempt to profit from the suffering of others?


The National Post story, entitled "University's residential school apology raises eyebrows," questions whether the U of M's apology will be taken in the spirit in which it's meant. In it, Michael Davis, of Vancouver reputation management firm Reputations, suggests the university might be seen to be taking advantage of the tragedy for a gain in its public image.


The National Post story quotes Mr. Davis as saying the university’s connection to the residential school system “seems very tenuous,” and that by making an apology "the school runs the risk of appearing to 'use what was a very serious and tragic history for some sort of gain'.” 


In a separate story in the Winnipeg Free Press this morning, however, Truth and Reconciliation Commission member Marie Wilson says the apology "will be tremendously encouraging to survivors."


How can you know whether your apology will help or hurt?


When an organization has acted badly or in some way hurt people, an apology is the first step in repairing damaged relationships.


When the organization's role in hurting people is indirect, as Mr. Davis points out in the National Post story, there's the potential for motivations to be judged (and possibly, misjudged). 


Regardless of how pure the organization's motives, it's important to do research that will help predict whether audiences are likely to take it in the way it's meant... because, PR issues aside, your objective is not to have your apology inflict further disrespect to a group that's already suffering.


Mr. Barnard provided some background on how the university decided to make the apology, noting in a Winnipeg Free Press story that he "consulted widely on campus among deans, senior administrators, the board of governors and the senate. He has also discussed the university’s plan with Manitoba aboriginal leaders." 


That's good PR.


If you can't know, ask.


You can't ever predict with perfect accuracy how people will react to something; but asking a wide range of opinions from within your stakeholder publics will always help. While there will invariably be people "out there" who will disagree with your actions or question your motives, what matters most is how most of your audiences will view them. 


Statements like Mr. Davis' illustrate the risk in taking a public stand. But if the U of M has done its homework and knows its own audiences will see the apology as the sincere gesture it's meant to be, the apology will (hopefully) be able to help its community take a step toward healing.

RIM: how long should a response wait?

There have been plenty of articles and blog posts blasting Research in Motion (RIM)'s decision to wait before talking to its customers (and investors, and the watching world) about the major outage its BlackBerry service experienced last week. An October 12th article in PR News summed up what many were saying with a quote from Alastair Campbell, Tony Blair's former head of communications:

 "Explain while you fix. Apologize when you have. Recompense after. Handling so far woeful," he tweeted. 

If you Google "BlackBerry crisis communications" you'll have a wide choice of links, many of which pointing out how RIM ignored one of the basic principles of crisis communications: talk to your audiences and stakeholders and give them the facts (or whatever facts you can) before others shape the story for you.


It sounds easier than it is.


Having spent more than a decade in a telecom corporate communications department, I have to say I had some sympathy for the folks at RIM. It's easy for us to sit back and say "you should be out there telling your customers what's going on," but sometimes it's not that simple. Sometimes, even the experts aren't exactly sure what the problem is - and no-one wants to go out and make it sound better or worse than it actually is. I remember getting briefed on network outages that initially looked like they were going to take hours to fix, but were actually repaired in minutes. Hindsight is 20/20, and your in-the-thick-of-it statements will live on long after the crisis does; natural instinct is to want to be sure you have it right before you say anything at all.


There's also the problem of explaining what the issue is when the audience can't possibly understand it. The communicator needs to be accurate, but can't use the technical language the engineers use: our customers aren't engineers. That translation process takes time, too (and, often, debate).


The communicators have their hands full: even if the higher-ups are on board with the idea that the company should communicate publicly about the problem (and this isn't a given in every company), they have to find out what the issue is; get agreement from all the experts on what the problem is, its scope, and what will be required to fix it; and translate it all into their audiences' language. It's not something you can do within a few minutes.


But it is something that needs to be done, and as quickly as possible -- because as the RIM example shows, the story will build with or without you.


A quote that caught my eye


A story in The Globe and Mail Monday about the RIM issue attributed the following statement to RIM co-CEO, Jim Balsillie:

Mr. Balsillie defended how RIM communicated the outage to the public, saying every minute doing public relation is time not spent fixing the problem.

Unless its communicators do double-duty as engineers, I think RIM could likely have communicated without jeopardizing the repair time by too much. The communicators would need access a tech expert to formulate and help with "translating" the message, but any time lost by techies would, I'd argue, be well-invested in showing your customers you're working to fix it.


Customers don't really expect everything to work perfectly all the time, though it may sound like they do when they're complaining online. But they do expect the company to show that it "gets" their frustration and is doing everything it can to fix it. 


On Thursday, RIM uploaded a video to YouTube featuring Mr. Balsillie's co-CEO, Mike Lazaridis, talking to its customers about the outage.

A message like this one (which still doesn't tell us much about the nature of the problem) could have taken down the temperature on the criticism of RIM, had it come out a few days earlier. 

Every crisis is also an opportunity


Your audiences are listening... you might as well say something you want them to hear.

Why get accredited in PR?

This year, I've taken on the role of Accreditation Director for the Manitoba chapter of the Canadian Public Relations Society ("CPRS"), after having been grading APR work samples and exams for the better part of a decade.

Here's how CPRS describes its accreditation on its website:

Accreditation 

CPRS Accreditation (APR) is a respected measure of professional experience in the field of public relations. This program recognizes the dedication, energy, perseverance and competence of successful public relations professionals. To pursue the accreditation process you must satisfy the following eligibility requirements:

• You are a member in good standing of the Canadian Public Relations Society.

• You have been employed full-time in a public relations position for at least five years; and

• You spend at least half of your professional time involved in specific public relations activities.

Candidates must complete an Accreditation application (due December 1st) which is available through the National Office. The examinations, offered in French and English, consist of three parts: a review of a work sample (due April 1st), a written examination and an oral examination (October). 

The exams are designed to test the breadth and depth of a candidate's public relations experience and ability. The goals of CPRS National Council on Accreditation are to assure professional competence; establish standards for professional practice; increase recognition for the profession within business organizations and the community, and influence the future direction of the profession.

The APR is designed to tell employers and colleagues that you have an in-depth understanding of how public relations works; that you are able to provide sound, ethical advice and create effective communications plans and materials; and that you have proven success in public relations work. But you don't need an APR to practice PR -- or even to practice PR at a senior level.

If you don't need it, why do it?

While accreditation isn't a requirement for public relations practice the way it is for other professionals like accountants and engineers, it is a valuable professional development activity which -- if you take advantage of the opportunities it offers -- can help you improve your skills and keep you current for decades after you've achieved the APR.

I can't honestly say that my APR has ever gotten me a job or a consulting contract, directly. If it was ever a factor in my getting hired, no-one ever mentioned it to me. But I have used it on my website, my business card, in my email signature, on LinkedIn, on this blog... I am proud of it. My APR certificate hangs on the wall of my office beside my university degrees.

But while it may not have directly led to a job, my APR has been valuable from a professional development perspective -- and that has without a doubt made me a more attractive job candidate.

First of all, the knowledge required to pass the written and oral exams forced me to study the foundations (history and theory) of PR, which I'd never had the need/motivation to study before. Until my accreditation process, I had learned about PR by watching, listening and doing, and working with bosses/mentors who literally paid me to be educated by them (thanks again for my entire career, if you're reading!). 

Studying the material required to pass the APR helped me understand why we do things the way we do, and gave me a far greater appreciation for how public opinion and persuasion work.

But the professional development I gained in earning my APR in 2002 was just the beginning of the benefit my accreditation has given me. 

In the years since, I have volunteered as an APR grader, helping evaluate candidates' work samples and exams. While this might just sound like "work" (and, especially for a teacher, "marking"), it's actually an excellent opportunity to see what other communicators are doing in their roles, to deal with issues their organizations face and the opportunities they leverage, across the country.

APR work samples and exams are evaluated outside the province in which they're created -- which both helps remove the potential for favouritism among friends and colleagues, and gives graders the opportunity to be exposed to great work they wouldn't normally hear about at their local chapter networking events.

And not only do I get the chance to read in-depth case studies presented by the communicators who led them, I also get to discuss their relative merits with other seasoned practitioners (i.e. APRs) on the grading panel.  Each member of the panel grades the submissions individually, and then we have a conference call to come to agreement on the scores each candidate will receive. The discussions involved in this consensus-building are fantastic PD opportunities, twice a year.

Interested? Application deadline is December 1.

For me, the APR has been a great way to keep current, to learn from my peers, and to have the opportunity to debate PR issues with colleagues I wouldn't normally have the occasion to meet with. It's not just a sign of where I was, professionally, in 2002 -- it's been a big part of how I've developed my skills since then.

If you're in Manitoba and would like to discuss undertaking your APR in 2012, please email me at lockstep [at] mts.net; if you're elsewhere in Canada, contact CPRS. In the U.S., you can contact the Public Relations Society of America.

Alton Brown's "Fanifesto"

Photo from
 http://www.foodnetwork.com/good-eats/index.html

This week, ahead of a planned publicity tour promoting a new book, Food Network star Alton Brown issued "My Fanifesto" on his website: a list of rules of comportment when meeting him in person.

Before you decide whether this is a bad idea from a PR perspective, give it a read.

Reaction I've seen online so far has been mixed; notably, the Huffington Post considers it evidence that he is "struggling with his celebrity status;" the blog "Comfort me with Offal," written by James Beard Foundation Award for Humor winner, Ruth Bourdain, calls it "a bit douchey."

Is it bad for Brown's PR?

The answer to that depends on Brown's audiences, and how much they expect a cooking show host to give up reasonable courtesies the rest of us are entitled to.

It could also depend on how they react to the Fanifesto's smart-alecky tone, as my Mum would call it, but that's consistent with his television persona. A bit smart-alecky, but in a friendly way. If they like him on TV, I'm thinking its tone shouldn't be a problem.

Should it be bad for Brown's PR? 

I really don't think so... but of course, I'm not necessarily the target audience. We'll have to watch what happens.

There's a temptation to assume every move a client makes that will disappoint some corner of the audience base means "bad PR." But realistically, everything you do is likely to annoy somebody. It's impossible to only do things that are universally accepted and appreciated.

Any move you make could cause someone to grouch, and might even get some unflattering media attention. But that only really matters in the long run if it's going to harm your reputation/relationship with a significant portion of the target audience.

Your turn 

What do you think of Alton Brown's Fanifesto? Reasonable, or "a bit douchey?" And do you think it will negatively affect his image? Comments are open!

Using Twitter... professionally

There's a fair bit of conversation online around how to grow one's Twitter "followers" number. One answer: become a college instructor, and assign your students to join Twitter and follow you!

By the end of this week, Red River College's first-year Creative Communications students will all be on Twitter. Interestingly, for the first time this year (in my classes at least), more first-year students were already using Twitter on entering the college than not.

But while most students are already on Twitter, many haven't been using it as a professional tool. Twitter isn't about what you did last night or what you're having for lunch, if you're using it to help establish and nurture your professional career in communications: it's about sharing useful information with communities of interest.

We're covering the topic of tweeting appropriately in class; but generally, my advice is "if you wouldn't want to have to explain it during a job interview, don't say it on Twitter." The fact is, if you say anything on Twitter you wouldn't want to have to explain in a job interview, chances are very high you won't get the job interview in the first place.

Employers will look for you on Twitter, and will judge your professionalism based on what they see.

Below, I've provided a roundup of useful online resources that give Twitter newbies some advice on how best to use it to reach their professional objectives.

Why are you on Twitter? A 'Twitter 101' lesson - First in a series of three really helpful Twitter lessons for beginners by Mike Johansson (@mikefixs) on Social Media Today.

Twitter 101 Day 2: How will you use Twitter? - Johansson's part 2

Twitter 101 Day 3: Who will you be on Twitter? - Johansson's part 3

Twitter 101: What to Tweet? Twitter and Your Personal Brand - good advice from Neal Schaffer (@NealSchaffer) on what to tweet to help position yourself professionally. Not sure I agree with "Tweet, and they will come" as an absolute, but that's OK.

PR Conversations - The angle of this article by Heather Yaxley (@greenbanana) is how to use Twitter for PR events, but the advice is valuable for many other organizational uses of Twitter, too.

Finally, if you're looking for background and specific how-tos about Twitter, check out Mashable's Twitter Guide Book - a good starting-point for the basics from @Mashable.

Happy tweeting!

Of mountains and molehills in election campaigns

In my first-year PR classes this week, we've been introducing the whole concept of PR, and specifically, the fundamental importance of understanding your audiences.

As is normal in my classes, we began on Tuesday with a few minutes of "PR in the news," in which we look at a story that's getting attention in the mainstream media and discuss what it might mean for the parties involved.  The topic of the day in my Section 2 class was last week's CBC news story about Manitoba Tory leader Hugh McFadyen's campaign launch event -- and more specifically, the campaign's choice of LMFAO's "Party Rock Anthem" as the song playing for McFadyen's grand entrance.

The CBC story, as you would expect, had clips from Manitobans surprised the Tories would choose a song with such racy lyrics by a band with such a naughty name.

But is this the kind of news that changes the way people vote?

The incident reminded me of another local campaign-time embarrassment, last fall when incumbent Mayor Sam Katz accidentally kicked a young player in a soccer game. People laughed at the Mayor's expense, the video went viral, and then he won the election handily.

Don't lose sight of your audiences

While schadenfreude wins the contest of do-we-or-don't-we-want-to-hear-about-political-embarrassments just about every time, that doesn't mean it's crisis mode for the PR folks. While the candidate and the campaign will be embarrassed, either by some oversight or fluke of bad luck, the communicators have to remember to keep their eyes on the prize.

Are people less likely to vote for a candidate whose policies and integrity they believe in, because of a poorly-chosen campaign song? I haven't done the research, but I'm thinking likely not.

But... the campaign could undermine the candidate's integrity if it doesn't respond appropriately. While most voters are able to recognize that everyone makes mistakes and forgive the occasional innocent blunder, a response that betrays disrespect for those offended, or arrogance, or any other personal or organizational characteristic that's out of line with what the voters would want to see in their leaders, could cost votes.

Don't make mountains out of molehills

The moral of stories like these: when your client goofs up (or when you goof up on your client's behalf), handle it respectfully but without giving it more prominence or weight than it properly deserves. While the media will likely have fun with it, because their audiences love this stuff, that doesn't mean your support will be driven away by it.

If the offence isn't likely to have a significant impact on your audiences' opinions, don't treat it as though it would. Address your error respectfully, and then take the opportunity to talk about the issues that should matter to your audiences.  And a little self-deprecating humour never hurts.

PR cover letter advice part 2: describing your experience

A Creative Communications grad recently asked me to look over a cover letter he'd written to apply for a job in PR, and it raised a topic I hadn't thought to include in my previous post on writing a good cover letter: how to position work you did as a volunteer or as a student.

When you're applying for a job, you want to put your best foot forward. You want the potential employer to know about all the things you can do that are relevant to what (s)he is looking for.

If you're a student or a recent graduate of a hands-on program like CreComm, much of your "evidence" is in the form of assignments completed in class, or on internships, or as a volunteer -- and you need to ensure you make it clear what was volunteer work what was paid.

What difference does it make?

A hiring manager reads more into the work experience you describe in your cover letter (and which you share in your portfolio) than the quality of the work: (s)he also makes inferences about how other professional communicators may value your work.

For example, if you say you created a media kit for a Red River College corporate announcement (which you did, for a fictional scenario in an assignment), you are technically telling the truth. But the statement is misleading: you are inadvertently suggesting that Red River College actually used your media kit, which implies that it met Red River College's corporate communications standards. It may have been of a high enough quality for the college to have used it -- but the college didn't use it. You don't want your cover letter to inadvertently imply that it did, and take credit that isn't due.

Similarly, work you do as a volunteer for an organization is much appreciated -- but it isn't paid for. Your hiring employer won't think your work any less valuable upon seeing that it was done as a volunteer (in fact, (s)he might think more of you for offering your skills and energy to a deserving client free of charge), but it's important (s)he doesn't think you did the work as a paid consultant. Again, that could lead to assumptions about how the client valued the work -- which, again, could be true, but you don't know it to be. So you shouldn't leave the door open for the employer to assume it.

What to say

A hiring manager looking at your resume will (or should, if you've written it well) know exactly how much professional experience you have or haven't had. If the organization is looking to hire someone right out of school, it's expecting candidates to have work samples that originated in school assignments or volunteer work -- there's no reason not to confirm it.

Further, if you do have work samples representing paid work you've done, either as an employee or on a freelance basis, make sure you point that out too. All that information comes together to give the hiring manager a complete picture of what you bring to the table.

In being clear and up-front about the nature of your work samples, you signal to the employer that you are open and honest, and proud of your work... and those attractive personal qualities will shine through your cover letter, along with your skills and experience.